This month’s Wired Magazine features a long article on Bram Cohen, the creator of BitTorrent, written by BB pal Clive Thompson. It’s a very good piece, and Bram gets some great licks in; the only place I took issue with it is where Clive talks about Microsoft DRM being useful to “keep content out of pirate hands” — there is not a single piece of content in the history of the universe that has been “kept out of pirate hands” (i.e. kept off the Internet, or prevented from being stamped out in pirate CD factories abroad) by DRM. It’s a weird kind of Big Lie strategy by the DRM people to talk about how DRM can prevent “piracy” when there has never, ever been an example of this happening.
Wired seems to be a little soft on DRM these days; the recent Wired spin-off, Wired Test, featured page on page of reviews of music players, media PCs, and PVRs with hardly a mention of the fact that all of these devices were fundamentally crippleware, and all controlled by entertainment companies who can and do arbitrarily remove functionality from them after they have entered the marketplace, so that the device that you’ve bought does less today than it did when you opened the box. If you’re publishing a consumer-advice magazine, it seems like this is the kind of thing you should be noting for your readers: “If you buy this, your investment will be contingent on the ongoing goodwill of some paranoid Warners exec whose astrologer has told him that your pause button will put him out of business and must be disabled.”
There’s a strong tie here for the use-case for BitTorrent. I bought a Sopranos Season Three DVD set for a friend’s Christmas this year. When the friend opened the gift on her Christmas holiday in France, the discs wouldn’t play in her hotel’s French DVD player; nor would they play in the on-site English PowerBook — because the discs had DRM. At that point, the rational thing to do would have been to sell the discs on Amazon and just download Season Three using BitTorrent — the studios have rigged the game so that you get a superior product (e.g., something you can actually watch) when you download bootlegs from BitTorrent, and they actively punish customers who buy their products instead of downloading them.
Which brings me back to Clive’s casual note that Microsoft DRM can keep media “out of pirate hands.” It’s a statement that’s so categorically untrue, it seems to come from a parallel universe with different laws of physics and economics. BitTorrent proves the futility of DRM as surely as DRM turns honest customers into studio-hating downloaders.
Cohen knows the havoc he has wrought. In November, he spoke at a Los Angeles awards show and conference organized by Billboard, the weekly paper of the music business. After hobnobbing with “content people” from the record and movie industries, he realized that “the content people have no clue. I mean, no clue. The cost of bandwidth is going down to nothing. And the size of hard drives is getting so big, and they’re so cheap, that pretty soon you’ll have every song you own on one hard drive. The content distribution industry is going to evaporate.” Cohen said as much at the conference’s panel discussion on file-sharing. The audience sat in a stunned silence, their mouths agape at Cohen’s audacity.
Cohen seems curiously unmoved by the storm raging around him. “With BitTorrent, the cat’s out of the bag,” he shrugs. He doesn’t want to talk about piracy and the future of media, and at first I think he’s avoiding the subject because it’s so legally sensitive. But after a while, I realize it simply doesn’t interest him much.
He’d rather just work on his code. He’d rather buckle down and figure out new ways to make BitTorrent more efficient. He’d rather focus on something that demands crazy, hair-pulling logic.
(via Waxy)